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CFA - An International Fashion Project, CFA - Designers, Networks, Institutions, Magazines, Exhibitions, Events, CFA - Contemporary Fashion Design, New Media, Networks, CFA - Selection, Research, Presentation, CFA - Database, Technical Development, Potential CFA Users

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CFA - An International Fashion Project

The CFA - Contemporary Fashion Archive is an international project addressing contemporary fashion design. Five renowned European fashion institutions join forces to establish a unique information network, which detects and presents current positions and developments in fashion design. This information network consists of an Internet platform with a digital archive and local documentation centres located at the different institutions of the partners in question.

Since May 2002, the CFA has been set up as a European co-operation project on the initiative of Unit F association for contemporary fashion. It has been awarded funding as an exemplary project in the area of fashion by the European Union in the context of the Commission's culture program Culture 2000. The grant is based on the project's clever use of modern communication technologies in the aesthetic world of fashion and design.


CFA - Designers, Networks, Institutions, Magazines, Exhibitions, Events

The archive will feature collections and projects of various international fashion and accessory designers, whose work is characterised by an experimental and innovative approach to fashion.

The focus lies on the impulses, aesthetic concepts and network strategies of a new generation of designers that shaped 90s fashion e.g., Helmut Lang, Martin Margiela and Walter van Beirendonck, later followed by Raf Simons, Viktor & Rolf, Bless and Balenciaga.
The archive will highlight and document the connections between fashion design and neighbouring creative fields such as photography, industrial design, the arts, graphic and web design, styling, architecture and electronic music which have recently become increasingly stronger. In addition, relevant institutions, magazines and exhibitions are presented with the inclusion of new media and extensive international networks.

Apart from the development of an online platform and local documentation centres, events will pick out central themes of the archive. These events will take place in the institutions of the co-operation partners


CFA - Contemporary Fashion Design, New Media, Networks

The inclusion of a whole list of different media has created a new position in the field of visual culture for fashion since the mid 90s. The result is a dramatic rise in the scope of fashion designers' creative possibilities. The use of new media has reinstated fashion's position within the arts as a field of experimentation and created a vehicle for a new range of aesthetic, conceptual, technological and co-operative practices. Consequently, the visual mediation and presentation of fashion has changed drastically: fashion no longer is exclusively mediated through the object of the "garment", but involves the use and inclusion of new media and extensive international networks.

Contemporary fashion designers are increasingly forming solid alliances with neighbouring disciplines thereby acting as catalysts for a wide range of artistic co-operations. Examples are the development of a counter for the shop of Walter van Beirendonck in Antwerp by Marc Newson, Mark Borthwick`s video for the presentation of Martin Margiela's Autumn/Winter 1998/1999 collection or the co-operation of the Austrian design team ___fabrics interseason® with musicians for the presentation of their collections.

As a result, a timely ascertainment of the subject demands a reaction to these new working methods as well as a fundamental change of perception and reception of contemporary fashion design. Therefore, the inclusion and presentation of all means employed by fashion designers is paramount. It is in this sense that the concept of the CFA - Contemporary Fashion Archive distinguishes itself from the structures of other existing fashion archives.


CFA - Selection, Research, Presentation

The CFA - Contemporary Fashion Archive will collect, archive and present information on designers, their recent collections, projects and networks. As the archive's curators, the co-operation partners are responsible for the selection. The emphasis and governing guideline lies on designers that have set trend-setting impulses for the development of fashion design.

The researched and gathered material will be accessible world wide through an online platform and locally through the documentation centres of the co-operation partners. Official language of the archive is English, relevant basic information and profile texts will be available in German, French, Dutch and Italian. Among the collected information are texts, visuals, video, audio and digital material, as well as documentation of artistic work e.g., books, catalogues and media coverage. The research is conducted in direct contact with the selected designers and in collaboration with libraries, fashion institutions and museums.


CFA - Database, Technical Development

The presentation of the relations between singular persons/institutions and the resulting works is facilitated by a MySQL database. This database was specially developed with the CFA - Contemporary Fashion Archive and its specific content in mind. A search tool enables the user to access specific information on the designers and their networks. The ongoing database-input is conducted by the relevant co-operation partner with the use of a content management system.

The CFA - Contemporary Fashion Archive is a first step towards the direction of semantic-web: documents and information are complemented with structural and semantic information. This technical enhancement offers new possibilities of data research - conceptual interrelations can be recorded and made visible to the user. This system will be extended to include multimedia elements such as images, videos and audio material.


Potential CFA Users

The CFA content is directed towards all interested in culture, art and fashion, the broad public and experts such as fashion designers and persons working artistically in neighbouring fields, fashion institutions and training posts and those involved in them, students, scholars and experts, journalists and media related to fashion, design and the arts as well as companies from the fashion and design industry.



 
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